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But then the movie takes the first of many wrong steps, by sending him immediately to a reform school. There is, for example, Duncan (Brandon Smith), the intolerant local deputy sheriff, a redneck who likes to shoot deer. I suspect that "Powder" was at one stage an interesting project.
The deer hardly feel a thing, he explains, but then Powder acts as a conduit to carry the deer's fear and suffering into the deputy, who is so transformed that he sells his gun collection - yet still plays the heavy, making things tough on Powder. He is wise beyond his years, has great compassion and insight, suffers much, and attracts intolerance and meanness even better than lightning. But then - I'm only guessing here - the production process led to a dumbing-down of the material until the movie was faced with a paradox it could never explain: How could anyone as smart as Powder have a problem with the morons in this movie?
and sure enough: At that point, my whole body relaxed from DEFCON-5 and was replaced with a Hungry Man portion of “Let’s fuck with Reedenstein” as I saw his polka dot right fucking on top of my polka dot!
I was right outside my room’s closed bathroom door, so I cover my mouth, and just whisper into the phone.
It leads up to bathos, not pathos, because not enough attention was paid to the underlying truth of the characters. The movie opens with a mother's death in childbirth, as the father disowns his newborn son, an albino.
The youth, nicknamed Powder, grows up in the basement of his grandparents' home, reading every book he can get his hands on and remembering every word. He can "listen to people from the inside," and knows the school bully was abused as a child.
Norman and Sean Patrick’s fans were anxiously awaiting news about the film that had reportedly already started filming.
Norman Reedus and Sean Patrick Flanery’s fans believed they were just waiting for the release date for fanbase, as well as other Norman Reedus and Sean Patrick Flanery fans, must be in shock.
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It was about am peeking in on a Sunday and I was on the 18th floor of this hotel in Nashville, Tennessee when I get a panicked call from Reedenstein telling me he’s been kidnapped.
But I guess I should back up to a couple hours earlier when there were about 14 people in my room and at least as many empty bottles of shit that would probably set your soul on fire.
To quote "Citizen Kane," there are some people who need more than one lesson. The sad thing is that when movies like this fail, executives think that proves there's no audience for unusual, original pictures - because they think they've made one.
Two good people sympathize with Powder: Jessie (Mary Steenburgen), the head of the school, and Ripley (Jeff Goldblum), the science teacher, popping up with his quixotic insights like a clever jack-in-the-box. "Because he IS electrolysis.") Meanwhile, Powder comes across as a cross between Cliff Robertson's "Charly," the Elephant Man, Mr. The Ebert Club is our hand-picked selection of content for Ebert fans.